
Carolyn Autenrieth
Artist’s Statement
My work contemplates the transformative process in nature and celebrates nuance and surprises found in the ‘ordinary’. Part of an investigative process, the pieces are a response to narrative, metaphor, and beauty (sometimes terrible beauty) in my life and the world around.
Much of my research is hands-on as an avid outdoor recreationalist and wanderer; scribbling sketches of fleeting moments, recording textures, and photographing natural ‘detritus’ of our environment, to capture a more immediate response to the subject. I hope to challenge and inspire viewer’s expectations by reimagining familiar forms, focusing on how texture invites and repels, and examining the impact of weather, contrast, and the passing of time.
Altered wheel thrown porcelain inspires a tactile response as spiked clusters suggest organic growth and change on the surfaces, while the interaction of light and shadow, contrast and compliment the forms. Inspired by tidal creatures and textures of our coasts, forms are imagined as though they might emerge from the rocks, yet hold another mystery. Some work, combining delicate porcelain with aged metal, presents an additional dialogue and intersection of industrial and natural – what could happen when these are left to interact?
Biography
Autenrieth is a ceramicist, painter, and arts educator, born in Syracuse, NY, but grew up in the Midwest. She first came to the Pacific Northwest 33 years ago, inspired by artist John Collier whom she sometimes worked for as a model and assistant.
Her undergrad degree is in Drawing/Painting, but is a self- taught Ceramic artist after first wandering into a Ceramic studio in California in 2002.
She also holds a degree in Diagnostic Radiography with an emphasis in CT, and published drawings for a national curriculum book. She credits the detour from art as an exploration of the left brain and a deeper connection to the complexity of pain and emotion. In 2004, she received her Teaching degree and Masters from Seattle Pacific University in Art Education.
Autenrieth currently resides in Seattle where she teaches and works from her home studio in close proximity to nature. Her work is shown at Fogue Studios & Gallery in Georgetown, and she has exhibited in other galleries: BIMA (juried), WEND (solo), Fogue (solo exhibition), Columbia City Gallery (Artist Trust artist/poet collaboration), Sammamish City Hall, Griffin Gallery, and Gray Sky. She also has a piece “Play with Your Kelp”, a collaboration of knitting/ceramics with her mother, as part of an ongoing traveling exhibition called “Like Mother”
For more than 18 years, Autenrieth has been a public art teacher; including a few years as adjunct at Seattle Pacific University. She currently teaches Ceramics and IB Visual Art to a wide range of high school students including advanced and those with special needs. Autenrieth enjoys working with a culturally diverse student population and advocates for creating connections and social change using the universal language of art. Working with students and developing art curriculum informs and challenges Autenrieth in her own artmaking practice
Website
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